The Great White Bard: How to Love Shakespeare While Talking About Race by Farah Karim-Cooper
Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty?
Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.
If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. But if we dare to bring Shakespeare down from his plinth, we might unveil a playwright for the twenty-first century. We might expand and enrich his extraordinary legacy. We might even fall in love with him all over again.
Every purchase you make supports the work of Shakespeare's Globe. Thank you!
Detail
Author: Farah Karim-Cooper
Format: Paperback
Size: 130mm x 200mm
Pages: 328
Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty?
Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.
If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. But if we dare to bring Shakespeare down from his plinth, we might unveil a playwright for the twenty-first century. We might expand and enrich his extraordinary legacy. We might even fall in love with him all over again.
Every purchase you make supports the work of Shakespeare's Globe. Thank you!
Detail
Author: Farah Karim-Cooper
Format: Paperback
Size: 130mm x 200mm
Pages: 328
Unser Ziel ist es, Shop-Produkte innerhalb von:
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Unser Ziel ist es, Shop-Produkte innerhalb von:
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Rest der Welt – 2-4 Wochen
Bitte beachten Sie, dass Print-to-Order-Produkte getrennt vom Rest Ihrer Bestellung versandt werden. Das heißt, wenn Sie diese Artikel zusammen mit anderen Shop-Produkten bestellen, kommen diese nicht alle zusammen an und Sie erhalten mehrere Lieferungen.
The Great White Bard: How to Love Shakespeare While Talking About Race by Farah Karim-Cooper
Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty?
Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.
If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. But if we dare to bring Shakespeare down from his plinth, we might unveil a playwright for the twenty-first century. We might expand and enrich his extraordinary legacy. We might even fall in love with him all over again.
Every purchase you make supports the work of Shakespeare's Globe. Thank you!
Detail
Author: Farah Karim-Cooper
Format: Paperback
Size: 130mm x 200mm
Pages: 328
Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty?
Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.
If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. But if we dare to bring Shakespeare down from his plinth, we might unveil a playwright for the twenty-first century. We might expand and enrich his extraordinary legacy. We might even fall in love with him all over again.
Every purchase you make supports the work of Shakespeare's Globe. Thank you!
Detail
Author: Farah Karim-Cooper
Format: Paperback
Size: 130mm x 200mm
Pages: 328
Unser Ziel ist es, Shop-Produkte innerhalb von:
Großbritannien – 1-2 Wochen
Europa – 2-4 Wochen
Rest der Welt – 2-4 Wochen
Bitte beachten Sie, dass Print-to-Order-Produkte getrennt vom Rest Ihrer Bestellung versandt werden. Das heißt, wenn Sie diese Artikel zusammen mit anderen Shop-Produkten bestellen, kommen diese nicht alle zusammen an und Sie erhalten mehrere Lieferungen.
Unser Ziel ist es, Shop-Produkte innerhalb von:
Großbritannien – 1-2 Wochen
Europa – 2-4 Wochen
Rest der Welt – 2-4 Wochen
Bitte beachten Sie, dass Print-to-Order-Produkte getrennt vom Rest Ihrer Bestellung versandt werden. Das heißt, wenn Sie diese Artikel zusammen mit anderen Shop-Produkten bestellen, kommen diese nicht alle zusammen an und Sie erhalten mehrere Lieferungen.
