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The Great White Bard: How to Love Shakespeare While Talking About Race by Farah Karim-Cooper
Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty?
Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.
If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. But if we dare to bring Shakespeare down from his plinth, we might unveil a playwright for the twenty-first century. We might expand and enrich his extraordinary legacy. We might even fall in love with him all over again.
Every purchase you make supports the work of Shakespeare's Globe. Thank you!
Detail
Author: Farah Karim-Cooper
Format: Paperback
Size: 130mm x 200mm
Pages: 328
Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty?
Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.
If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. But if we dare to bring Shakespeare down from his plinth, we might unveil a playwright for the twenty-first century. We might expand and enrich his extraordinary legacy. We might even fall in love with him all over again.
Every purchase you make supports the work of Shakespeare's Globe. Thank you!
Detail
Author: Farah Karim-Cooper
Format: Paperback
Size: 130mm x 200mm
Pages: 328
We aim to deliver shop products within:
UK – 1-5 business days
Europe – 1-2 weeks
Rest of world – 1-3 weeks
Please note: Print to order products are dispatched separately to the rest of your order. This means that if you order these items alongside other shop products, they won’t all arrive together, and you’ll get several deliveries.
We aim to deliver shop products within:
UK – 1-5 business days
Europe – 1-2 weeks
Rest of world – 1-3 weeks
Please note: Print to order products are dispatched separately to the rest of your order. This means that if you order these items alongside other shop products, they won’t all arrive together, and you’ll get several deliveries.
The Great White Bard: How to Love Shakespeare While Talking About Race by Farah Karim-Cooper
Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty?
Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.
If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. But if we dare to bring Shakespeare down from his plinth, we might unveil a playwright for the twenty-first century. We might expand and enrich his extraordinary legacy. We might even fall in love with him all over again.
Every purchase you make supports the work of Shakespeare's Globe. Thank you!
Detail
Author: Farah Karim-Cooper
Format: Paperback
Size: 130mm x 200mm
Pages: 328
Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty?
Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.
If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. But if we dare to bring Shakespeare down from his plinth, we might unveil a playwright for the twenty-first century. We might expand and enrich his extraordinary legacy. We might even fall in love with him all over again.
Every purchase you make supports the work of Shakespeare's Globe. Thank you!
Detail
Author: Farah Karim-Cooper
Format: Paperback
Size: 130mm x 200mm
Pages: 328
We aim to deliver shop products within:
UK – 1-5 business days
Europe – 1-2 weeks
Rest of world – 1-3 weeks
Please note: Print to order products are dispatched separately to the rest of your order. This means that if you order these items alongside other shop products, they won’t all arrive together, and you’ll get several deliveries.
We aim to deliver shop products within:
UK – 1-5 business days
Europe – 1-2 weeks
Rest of world – 1-3 weeks
Please note: Print to order products are dispatched separately to the rest of your order. This means that if you order these items alongside other shop products, they won’t all arrive together, and you’ll get several deliveries.
